Walker Percy in his 1971 dystopian novel “Love in the Ruins” paints a picture of a morally degenerate America consumed by hedonism, wallowing in ignorance, led by kleptocrats and fools, fragmented into warring and often violent cultural extremes and on the cusp of a nuclear war. It is a country cursed by its failure to address or atone for its original sins of genocide and slavery. The ethos of ceaseless capitalist expansion, white supremacy and American exceptionalism, perpetuated overseas in the country’s imperial wars, eventually consumes the nation itself. The accomplices, who once benefited from this evil, become its victims. How, Percy asks, does one live a life of meaning in such a predatory society? Is it even possible? And can a culture ever regain its equilibrium when it sinks into such depravity?
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